Wednesday, April 27, 2005

do you want to jerk?


jerichojerk, originally uploaded by thebeathunters.

PIERRE HENRY/MICHEL COLOMBIER
JERICHO JERK
PHILIPS,1967
ST GERMAIN MIX,1997
when PHILIPS label realized a brand new generation of hipsters held the two avant-garde composers' MESSE POUR LE TEMPS PRESENT (mass for the present time) as the ultimate 70's french cult opus, a remix project was launched: METAMORPHOSE
A-league producers were invited to mess with the1967 original ballet (created by maurice béjart) score. among the likes of COLDCUT, FATBOY SLIM or WILLIAM ORBIT, a solid team of frenchies stood up: DIMITRI FROM PARIS, CHATEAU FLIGHT, THE MIGHTY BOP, KRISS THE FRENCH KISS (aka BOB SINCLAR) and LUDOVIC NAVARRE a.k.a ST GERMAIN. most of the guys concentrated on the 3 funkier cuts of the opus: PSYCHE ROCK, JERICHO JERK and TOO FORTICHE, except Dimitri who took on TEEN TONIC.
frankly, i never really got into all these remixes. the original album is a classic and the last thing i felt i needed was a fatboy "malpaso remix" or an "invisible mix" by william orbit.
but to me, st germain's track was another story. first time i heard it was in a club and i witnessed it building up very slowly from loose jazz jam to dancefloor mayhem. people were really getting down on it: everybody was chillin', drinking like they just don't care... next thing i know girls start shakin' that ass and guys are losin' it brett sinclair style (me included)! a few months later, i'm playing a stylish outdoor warm-up/open bar set where dancing is usually the very last thing trendy people are thinkin' about. for an hour, i'm stayin' alive with bossa nova and cal tjader jams scattered with jazzanova sounds. i feel like i'm in the Antonioni "La Notte" movie which is great, but just to a certain point...then i dropped the jericho jerk and let these keyboard licks spreading over as a dancing virus... it went on and on and grew kinda ibiza free for the rest of the night, thanks to the bombs bag i had packed, too (more of this selection to come)...

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